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The
post-modern condition hinges on the paradox of the search for ethnic
and local identity in a global era. In a visual essay using plant
life for text this work puns on roots, borders, transplants, potted
histories and 'home' soil. In a cultivated locale that includes
many imported species, 'local' plants, including what are often
taken for weeds, are lovingly potted and labeled in bog-Cornish.
Yet the market gardener's radio is tuned to a 'foreign' station
and there is an abandoned Chinese drinks carton. The shelter is
a retreat from the world, disclaiming regression with its child's
table and chair and descent to the underworld of spriggans and knockers.
Emerging from this sanctuary to face the wide multifloral world
of ethnic diversity we also have to wrestle with the notion of 'Celtic
nature' itself, for current scholarship debates that there is such
a thing as 'Celticity', seeing it as a nineteenth century Romantic
Construction.
From Behind the classificatory schemes, issues of identity construction
and diasporic dilemmas emerges, however, the beauty and tenacity
of plant life itself, refusing classification in its desire to populate
and go wild, transcending borders and the policing of identities.
Anyone for local produce?
©
Alan Bleakley 2002
Published in Art and Landscape 2002 |